August 1, 2008 By David Chibo
But what preceded these military colonial invasions
was a far more pervasive ideological and racist cultural invasion that
legitimised the military invasions and occupations that were to follow. The
late Edward Said explained this prejudiced and distorted historical
interpretation of Middle Eastern histories, cultures and peoples by Westerners
in his famous theory of Orientalism which purports that Western history
functions primarily to serve colonial and political ends. This Orientalism framework purposely diminishes Middle Eastern cultural heritage and history by
polarising the world between the progressive, democratic, enlightened “West,” and
its “Other,” the regressive, autocratic, undeveloped “East.”
A firm geographical
and historical foundation was laid through a revisionist theory that alleged
that the division between the "West" and the "East" can be
traced back as far as the Greco-Persian War of the fifth century BC, when
Athenian historians supposedly drew a sharp, distinctive line between their Greek
“democratic” culture and Persian “despotism.” Frantz Fanon eloquently describes the link
between cultural and military colonialism and the need for historical
revisionism in The Wretched of the Earth. “Colonialism is not satisfied merely
with holding a people in its grip and emptying the native’s brain of all form
and content. By a kind of perverted logic, it turns to the past of the people,
and distorts, disfigures and destroys it.” Western tradition went on to define the
“West” as the direct heir of
This distortion of history was also articulated by
Martin Benal’s Black Athena which explains whereas Greek civilisation
was known originally to have roots in Egyptian, Semitic [Middle Eastern], and
various other southern and eastern cultures, during the last two hundred years
it was redesigned as “Aryan” during the course of the nineteenth century, its
Semitic and African roots actively purged or hidden from view while
simultaneously exaggerating the history of ancient Greece.
Little has
changed since. Today the ideological theory that preceded the latest phase of
US-led colonialisation was first articulated in 1993, after the end of the Cold
War, in Samuel P. Huntington’s book, The Clash of Civilizations and the
Remaking of World Order. Building
his theory on the previously established framework of Orientalism,
The majority of modern day Assyriologists and
Hellenists have unfortunately not only been trained, but thanks to a corporate
media continue to be immersed within the same framework of Orientalism subconsciously
categorising history and peoples into either Western or Eastern compartments. A
few examples from one of the main sources used for this thesis, The
Orientalizing Revolution: Near Eastern Influence on Greek Culture in the Early
Archaic Age, written by Walter Burkert will highlight just how pervasive
the theory remains.
Picture: A hellish landscape yields scant forage for camels wandering beneath the black plumes of burning oil wells in Kuwait. Courtesy National Geographic.
Throughout his book Burkert works tirelessly to
highlight clear similarities between the “West” and the older “East” but on a
few occasions even this champion of cultural continuity succumbs to the
framework of Orientalism that saturates him. He astonishingly attributes
democracy to Greek lawlessness (page 60), when he states, “The Greeks lacked
straight forward institutions of monarchic power and law, uncertainty being the
touchstone of freedom.”
He continues with the “Western democracy” versus “Eastern
despotism” myth (pages 24-25) by stating that, “…since the influence of the
[Eastern] despots was limited in extent,” he continues, “It can be presumed
that this factor could act as a strong incentive for [Eastern] emigration to
the freer West.” Yet two paragraphs later he contradicts himself, “Nor would
there have been a shortage of Greeks trying their luck in the East at that
time…”
Walter Burkert blatantly displays the starkest
example of Orientalism (page 26) when he subjectively describes the Greek
acquisition of the Semitic [Aramaic] alphabet, “For us the Greek alphabet is
the first perfect writing system, being the earliest alphabetic script to use
signs for both vowels and consonants consistently, whereas Semitic [Aramaic]
writing was, and is, basically concerned with consonants. Its perfection is
confirmed by its success in the West.”
With a proponent of cultural continuity such as
Burkert reluctant to even “scratch the surface” of the so-called “pillars of
Western civilisation” the task of revealing the origins of the Olympic Games
will be a Gilgameshean undertaking indeed.
In the years to come the Gilgamesh Games will be
described by writers, who persist in the same framework of Orientalism, as the
‘primitive-Olympics,’ or ‘proto-Olympics.’ Some will even make the ludicrous
claim that the Gilgamesh Games “anticipated” the Olympic Games. However no self-respecting archaeologist will
now be able to easily ignore the revelations about the games revealed in this thesis.
The revelation
in this thesis that the Olympian “jewel in the crown” of Western civilisation
may trace back to the
There is neither Western civilisation nor Eastern
civilisation. This man-made division is no longer tenable. Civilisation cannot
be nationalised nor geographically divided. And just as humanity refuted the racist
theory of Eugenics by tracing its shared genetic link back to Africa, it
also needs to refute Orientalism and trace its shared civilisation back
to the
In correcting the mistakes of the past we also need
to be mindful of a tilt towards Occidentalism by making it quite clear
that civilisation developed in Mesopotamia not because of any genetic
predisposition, but because of its ideal geographical location, at the
confluence of three continents, in stark comparison to a land-locked,
mountainous and isolated ancient
The main author would also like to express his
appreciation for Professor Simo Parpola from the State Archives of Assyria, at the University of Helsinki in Finland, and one of the founders of the Melammu project, a project that investigates the continuity, transformation and
diffusion of Mesopotamian culture. Having such a background it came as no
surprise that although originally sceptical, Professor Parpola was still willing
to help me with this thesis. His ability to dare challenge conventional wisdom
and step into uncharted territory was invaluable in bringing this new
revelation to light.
Finally I would like to dedicate this thesis to an
independent and free future
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